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Showing content with the highest reputation on 10/02/2013 in all areas

  1. Most of you have probably seen my paintbooth build in another thread.....but for my work area i've always prefered something mobile.....What I use mostly is an old engine stand that I mounted a steel shelf from some industrial duty cabinet I salvaged one time.....it makes for a heavy duty mobile work bench....Its the perfect height for me to stand and work on something which I do alot of.....I even stand alot of the time i'm airbrushing....guess that comes from years airbrushin tee shirts on an easel. Anyway, I have a moisture trap mounted on the end of the stand that feeds air into a mini regulator/water trap thats mounted down below....i've also got a 5gal bucket mounted as a waste can to pour solvents or paints into.....i've got several Paasche style airbrush hangers mounted around the stand so I always have place to hang an airbrush......I use an old Plano tackle box as my airbrush box....it sits on top and holds all my airbrushes, tools, parts, pens, pencils, knives, pipe cleaners, stencil material, etc.....My lamps are also mounted on mobile stands so they can be rolled around easy also. From my attached photo you can see how I just pull my paintbench up besides one filter tower and I just sit in front of that and spray away......For general airbrushing I have the ability to close off either of the exhaust filter towers and just pull from one side or the other....this helps keep me from exhausting out all my conditioned air from within the shop....In fact, i've built a restricter plate or dampener so to speak so I can restrict the amount of air i'm pulling from either side.....When I shoot the full sized paint guns i'll open both exhaust towers, but for airbrushin its just overkill....I guess I could have a second artist sit in front of the second exhaust tower and we both could spray away...lol Having a mobile workbench and rollaround lighting really helps me utilize the small space that I have.....If nessasary, I can roll everything into the corner or out the door and bring in my motorcycle stands when I need to paint those.....the mobile workbench also can be removed and a motorcycle frame can be mounted to the stand and rotated 360 degrees.
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  2. OK, here is your paint : 1st coat - flat white 2nd - iridescent purple back - iridescent gold on sides - iridescent blue belly 3rd - clear coat w/ devcon 4th - fine mesh clamped over body 5th - shoot with flat white belly - flat dark gray back 6th - iridescent gold on back - very light - iridescent blue belly- very light - iridescent pink around head and gill area again very light. 7th - clear coat with devcon the iridescent coat after scaling should be very light because you only want the paint to stick to the flat paint. allow for complete cure between coats. This may seem like alot of time to put into one bait but it will produce some of the best looking lures I have ever seen. the iridescent paints I use are made for glass painting.
    1 point
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